National premiere

Multitudo investigates fear, the terror of illness, fragility, and the raw vulnerability that inhabits our existence, using poetic language to articulate the inexpressible nature of our private anguish. This solitary drama no longer finds refuge in collective experience—in our fragmented, atomized era, where the only horizon seems to be the private, communication without community, and a deceptive, narcissistic “social” sharing that is not truly social. The resulting sense of devastation fuels a poetic and performative exploration imagining the possibility of reweaving singular, desiring, and disobedient threads into a broader fabric—a welcoming multitude capable of naming fear and subverting it.
Multitudo intertwines words and sounds with visual textures and electro-techno sonorities, culminating in a final 140 BPM rave where the audience is freely invited to join. 

“Our body is a compost made through encounter.” (Eva Virale – Angela Balzano)

Bio

_2alaska is a performance project by Klaus Miser and Samantha Cavicchi, combining poetic texts and soundscapes.
Klaus Miser has pursued an antagonistic poetic expression for twenty years, performing readings in unconventional circuits. Publications: Luogo Comune (in Paesaggi Italiani, Luca Sossella); Non è un paese per poeti (Prufrock Spa); pescara babylon (illustrated by MP5, Isola); Soundscapes (with Jacopo Benassi, Jochen Arbeit, Fabrizio Palumbo); kill your poet again! (SPRINT); Didascalia (a self-produced pamphlet against limited editions).
Samantha Cavicchi has been active for decades in transfeminist political activism. She is a DJ for Collettiva Elettronika and the duo SSSdj@s, founder and art director of the gender-focused agency Comunicattive, former curator of Art for Art’s Sake, and currently co-director of the International Lesbian Film Festival Some Prefer Cake.

Credits

A project by _2alaska
Texts: Klaus Miser
Sounds & Lyrics: Samantha Cavicchi
Sound Design: Ceci Stacchiotti

Duration

45′

Language/Subtitles

Italian

Tickets 

Free

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