Daemon

2024

with Enrico Casagrande and Alexia Sarantopoulou
direction and dramaturgy Daniela Nicolรฒ and Enrico Casagrande
lights and video Daniela Nicolรฒ

produced by Motus with the collaboration of RIMI/IMIR SceneKunst, Norway

I was benevolent and good;
misery made me a fiend.
(Frankenstein, Mary Shelley, 1818)

 

This performance is the prelude to the second movement of our project on monstrosity, which will be entitled โ€˜Frankenstein (a History of Hate)โ€™ and will debut in 2025.

Daemon is one of the many negative terms by which the creature is referred to in Mary Shelley’s Frankenstein…
(๐™ˆ๐™ž๐™จ๐™š๐™ง๐™–๐™—๐™ก๐™š ๐™ˆ๐™ค๐™ฃ๐™จ๐™ฉ๐™š๐™ง – ๐˜ฟ๐™š๐™ข๐™ค๐™ฃ๐™ž๐™–๐™˜๐™–๐™ก ๐™˜๐™ค๐™ง๐™ฅ๐™จ๐™š – ๐™ƒ๐™ž๐™™๐™š๐™ช๐™จ – ๐™๐™œ๐™ก๐™ฎ – ๐˜ฟ๐™š๐™ซ๐™ž๐™ก – ๐™‘๐™ž๐™ก๐™š ๐™ž๐™ฃ๐™จ๐™š๐™˜๐™ฉ – ๐˜ฟ๐™–๐™š๐™ข๐™ค๐™ฃ – ๐˜ผ๐™—๐™๐™ค๐™ง๐™ง๐™š๐™™ ๐™ข๐™ค๐™ฃ๐™จ๐™ฉ๐™š๐™ง – ๐™’๐™ง๐™š๐™ฉ๐™˜๐™๐™š๐™™ ๐™™๐™š๐™ซ๐™ž๐™ก – ๐˜ผ๐™—๐™๐™ค๐™ง๐™ง๐™š๐™™ ๐™™๐™š๐™ซ๐™ž๐™ก – ๐˜ฟ๐™š๐™ฉ๐™š๐™จ๐™ฉ๐™š๐™™ ๐™›๐™ค๐™ง๐™ข – ๐™Š๐™™๐™ž๐™ค๐™ช๐™จ ๐™˜๐™ค๐™ข๐™ฅ๐™–๐™ฃ๐™ž๐™ค๐™ฃ – ๐™‹๐™ค๐™ค๐™ง, ๐™๐™š๐™ก๐™ฅ๐™ก๐™š๐™จ๐™จ, ๐™ข๐™ž๐™จ๐™š๐™ง๐™–๐™—๐™ก๐™š ๐™ฌ๐™ง๐™š๐™ฉ๐™˜๐™ – ๐™ˆ๐™ž๐™จ๐™š๐™ง๐™–๐™—๐™ก๐™š, ๐™ช๐™ฃ๐™๐™–๐™ฅ๐™ฅ๐™ฎ ๐™ฌ๐™ง๐™š๐™ฉ๐™˜๐™ – ๐™ƒ๐™ž๐™™๐™š๐™ค๐™ช๐™จ ๐™ข๐™ค๐™ฃ๐™จ๐™ฉ๐™š๐™ง – ๐™๐™œ๐™ก๐™ฎ ๐™ฌ๐™ง๐™š๐™ฉ๐™˜๐™ – ๐™๐™ž๐™š๐™ฃ๐™™- ๐™ˆ๐™ฎ ๐™›๐™ž๐™š๐™ฃ๐™™๐™ž๐™จ๐™ ๐™š๐™ฃ๐™š๐™ข๐™ฎ – ๐™ˆ๐™ž๐™จ๐™š๐™ง๐™–๐™—๐™ก๐™š ๐™›๐™ž๐™š๐™ฃ๐™™ – ๐™Ž๐™˜๐™ค๐™›๐™›๐™ž๐™ฃ๐™œ ๐™™๐™š๐™ซ๐™ž๐™ก – ๐™—๐™š๐™ž๐™ฃ๐™œ ๐™ƒ๐™ฎ๐™ฅ๐™ค๐™˜๐™ง๐™ž๐™ฉ๐™ž๐™˜๐™–๐™ก ๐™›๐™ž๐™š๐™ฃ๐™™… )
The second Act will deal with that terrible click that turns love into hatred, benevolence into violence; of that jamming of the love mechanism that causes a reversal with irreversible consequences. It will focus on the โ€˜becoming evilโ€™ of the creature: on how a being without identity, without history, alone like a deer, chased, makes a world of its own and rebels.
In delving into the origins of hatred and the inestimable pain inevitably connected with it – because he who hates is never happy – Shelley traces a new geography of terror, one that resonates all too strongly today, in these dark times…

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