I was benevolent and good;
misery made me a fiend.
(Frankenstein, Mary Shelley, 1818)
This performance is the prelude to the second movement of our project on monstrosity, which will be entitled โFrankenstein (a History of Hate)โ and will debut in 2025.
Daemon is one of the many negative terms by which the creature is referred to in Mary Shelley’s Frankenstein…
(๐๐๐จ๐๐ง๐๐๐ก๐ ๐๐ค๐ฃ๐จ๐ฉ๐๐ง – ๐ฟ๐๐ข๐ค๐ฃ๐๐๐๐๐ก ๐๐ค๐ง๐ฅ๐จ๐ – ๐๐๐๐๐ช๐จ – ๐๐๐ก๐ฎ – ๐ฟ๐๐ซ๐๐ก – ๐๐๐ก๐ ๐๐ฃ๐จ๐๐๐ฉ – ๐ฟ๐๐๐ข๐ค๐ฃ – ๐ผ๐๐๐ค๐ง๐ง๐๐ ๐ข๐ค๐ฃ๐จ๐ฉ๐๐ง – ๐๐ง๐๐ฉ๐๐๐๐ ๐๐๐ซ๐๐ก – ๐ผ๐๐๐ค๐ง๐ง๐๐ ๐๐๐ซ๐๐ก – ๐ฟ๐๐ฉ๐๐จ๐ฉ๐๐ ๐๐ค๐ง๐ข – ๐๐๐๐ค๐ช๐จ ๐๐ค๐ข๐ฅ๐๐ฃ๐๐ค๐ฃ – ๐๐ค๐ค๐ง, ๐๐๐ก๐ฅ๐ก๐๐จ๐จ, ๐ข๐๐จ๐๐ง๐๐๐ก๐ ๐ฌ๐ง๐๐ฉ๐๐ – ๐๐๐จ๐๐ง๐๐๐ก๐, ๐ช๐ฃ๐๐๐ฅ๐ฅ๐ฎ ๐ฌ๐ง๐๐ฉ๐๐ – ๐๐๐๐๐ค๐ช๐จ ๐ข๐ค๐ฃ๐จ๐ฉ๐๐ง – ๐๐๐ก๐ฎ ๐ฌ๐ง๐๐ฉ๐๐ – ๐๐๐๐ฃ๐- ๐๐ฎ ๐๐๐๐ฃ๐๐๐จ๐ ๐๐ฃ๐๐ข๐ฎ – ๐๐๐จ๐๐ง๐๐๐ก๐ ๐๐๐๐ฃ๐ – ๐๐๐ค๐๐๐๐ฃ๐ ๐๐๐ซ๐๐ก – ๐๐๐๐ฃ๐ ๐๐ฎ๐ฅ๐ค๐๐ง๐๐ฉ๐๐๐๐ก ๐๐๐๐ฃ๐… )
The second Act will deal with that terrible click that turns love into hatred, benevolence into violence; of that jamming of the love mechanism that causes a reversal with irreversible consequences. It will focus on the โbecoming evilโ of the creature: on how a being without identity, without history, alone like a deer, chased, makes a world of its own and rebels.
In delving into the origins of hatred and the inestimable pain inevitably connected with it – because he who hates is never happy – Shelley traces a new geography of terror, one that resonates all too strongly today, in these dark times…