[ÒDIO]

2025

I was benevolent and good;
unhappiness made me a demon.
Mary Shelley, Frankenstein, 1818

[ÒDIO] is the new film/documentary by Daniela Nicolò and Enrico Casagrande (MOTUS), winner of the ITALIAN COUNCIL 2024.
Film footage by Filippo Quezel and Vladimir Bertozzi.

[ÒDIO] is an investigation with teenagers that accompanies the second movement of the project on monstrosities Frankenstein (a History of Hate) that will debut in fall 2025 at the Romaeuropa Festival.
After the successful debut of the first “movement” Frankenstein (a Love Story) in 2023, Motus embarks on a new, decidedly more visual arts-oriented artistic journey, creating two parallel and dialoguing works: a play and a film.
This concluding movement to the Frankenstein project is centered, in its totality, on the transformative moment of the creature “whose greatest joys – initially – came from the spectacle of flowers, birds and all the gay garb of summer” who then begins to perceive herself irrevocably excluded from the apparent bliss of other beings, rejected only because of her nonconforming appearance…

 

[ÒDIO] will be based on interviews with very young people who, having experienced violence, end up directing it towards their own bodies and peers.

We felt the need to address this generation because, in a way, the creature (who has no age) goes through a “growth” process in complete solitude until the moment it finds the diary of the “father figure” who assembled it. Feeling rejected, it starts developing a vengeful attitude towards society and the absent familial institution, which is typical of the developmental age. The creature quickly switches from a tender (and obsessive) love for Dr. Frankenstein to an inextinguishable hatred. Perceiving its own monstrosity and inadequacy, it gets lost in a universe of conflicting feelings that often cause it to lose control, something that resembles the emotional chaos many adolescents experience nowadays. In our country, episodes of violence and bullying among teenagers are multiplying at a rate and with an intensity never seen before. Every day, the news is filled with increasingly cruel episodes of hatred and vandalism. As we often do in our practice, we want to investigate and try to understand why.

(Daniela Nicolò and Enrico Casagrande)

[ÒDIO] will therefore deal with that terrible click that turns love into hate, benevolence into violence, that disruption of the loving mechanism that causes a reversal with irreversible consequences.

With this work, and the parallel theatrical performance, we will delve into these dark territories, trying to put a finger on the wound to trace back to the origin of certain aggressive and excluding dynamics, by listening to the inner paths that generate them.

[ÒDIO] will try to dismantle the stereotypes about youth and violence that are being widely discussed these days…
When we talk about hatred, it is necessary to ask the question: Who hates, and why do they hate? What power and domination dynamics are found in these people? If the state’s instruments do not promise us a society of “RADICAL TENDERNESS,” where bodies can meet with trust… perseverance is needed to create these spaces (which already exist in interstitial places)… and to do so, hatred is also necessary; it can help us not to turn away, not to seek refuge in indifference, not to let the world and ourselves with it, be simply consumed…
From “Odio” by SEYDA KURT, a writer of Kurdish origins, who guides and orients us in the search.

Work phases

January 2025 – Rimini
Residency and workshop with young people from schools, sheltered homes, and community centers in the Rimini area.

March/April 2025 – Hamburg, Kampnagel
Residency and workshop with young people from various queer associations for victims of youth bullying.

May/June 2025 – Rome, Teatro Biblioteca Quarticciolo
Residency and workshop in collaboration with the Cranpi Association, with young people who attend the Palestra Popolare Quarticciolo.

September/October 2025
Completion of the film. Filming during rehearsals of the play Frankenstein (a history of hate) and backstage with the actors, final script, and storyboard.

November/January 2026 – Rimini, Motus Cultural Association Headquarters
Post-production of the work: editing, sound score development, color correction, audio post-production, creation of the master.

March 2026 – Bologna, MAMbo Museum
Transfer of the work and first public presentation of [ÒDIO]. Public talk with Daniela Nicolò, Enrico Casagrande, and co-director Filippo Quezel.

April 2026 – Merz Foundation and Maxxi L’Aquila
Presentation with talk and live soundtracking.

May 2026 – Hamburg, Kampnagel
Installation and talk.

June 2026 – New York, La MaMa
Installation and talk.

July 2026
Installation of the work and talk at the Sempre più Fuori Festival in Rome and the Santarcangelo Festival.


 

Partners

Museo MAMbo di Bologna will acquire the work in March 2026.
Kampnagel – Internationales Zentrum für schönere Künste Hamburg (DE) – main partner of the project.

Kunstencentrum VIERNULVIER Gent, Belgio
La MaMa Experimental Theatre Club, New York, US
MAXXI L’Aquila – National Museum of 21st Century Arts, L’Aquila
Fondazione Merz, Turin
Festival delle Colline Torinesi_Torino Creazione Contemporanea, Turin
Cranpi_ Associazione culturale and Palestra Popolare Quarticciolo, Roma
Santarcangelo Festival, Santarcangelo di Romagna
Teatro Nazionale di Genova

Contacts

News

✦ The dates for the third edition of SUPERNOVA have been announced ✦ Discover superultranova.com the site dedicated to the second edition of SUPERNOVA 2024 ✦ Work begins on MOTUS Archive and MOTUS House ✦ We won the prestigious Italian Council's call!